Making Architecture Through Being Human

Conceptual Assemblages: Linking Embodied Concepts to Spatial Composition
By Philip D. Plowright
Publisher: Routledge | ISBN: 978-0367204778 | 978-0367204761 | 978-0429261718
Book Cover
"Available in Hardback, Paperback, and eBook editions."

Architecture starts with the translation of embodied biological experience into social agreement before we layer on any more complex socio-cultural meaning. This studio companion book outlines the fundamental concepts (the raw biological inputs) and the assemblages (the complex chains of meaning) that designers use to create intelligible environments. Throught this, thee text serves as a 'cognitive lexicon' for design. It moves beyond the visual appreciation of architecture to examine the embodied roots of form and traces how simple learned inputs are translated into more complex scaffolding (like privacy, hierarchy, and territory). It argues that meaning in architecture is not an abstract intellectual game, but a direct projection of the human experience onto the built environment.

I. Fundamental Embodied Concepts

The biological baseline. These are not cultural choices; they are mandates of the human body.

Verticality (Up/Down)

Driven by gravity. Up is associated with health, consciousness, and control. Down is associated with sickness, unconsciousness, and subjection. In architecture, height equals status.

Center / Periphery

Driven by our field of vision. The Center is the location of importance, control, and the "Self." The Periphery is the location of service, dependence, and the "Other."

Front / Back

Driven by our face. We interact with the world via the Front (vision/speech). The Back is vulnerable and unseen. Buildings replicate this with "Facades" (Faces) and "Service entries" (Backs).

Balance

Driven by the inner ear. Physical stability is mapped to psychological stability. Asymmetrical or "leaning" forms create psychological tension (excitement or anxiety).

II. Situated Notions

Projection. How we map our bodily experience onto inanimate objects.

Personification

We scan environments for faces. Facades are interpreted as having eyes (windows) and mouths (doors). We attribute emotion (aggressive, shy, welcoming) to these static compositions.

Containment

We experience our own bodies as containers. We project this onto rooms. Inside is protected/known. Outside is exposed/unknown.

Path / Link

The connection between two points. A path is not just geometry; it is a trajectory of intention.

III. Socio-Spatial Ideas

Interaction. How spatial geometry dictates the possibility of human events.

Type

Type is not just a category of building (e.g., "Library"). It is a set of compositional characteristics that suggests the possibility of events. A long, narrow space with central circulation supports specific behaviors (procession) and denies others (gathering).

Convexity & Connectedness

Convexity refers to spaces where all points are visible to all other points (promoting social stability and gathering). Connectedness refers to the depth of a space from the street (controlling privacy and access).
Connectedness and its relationship to circulation
Connectedness and circulation.

IV. Assemblages (Systems of Meaning)

The Syntax. How simple concepts link together to form complex architectural experiences.

Architecture is not a collection of isolated terms; it is a syntax. We link simple biological concepts together to form complex social agreements. The following Assemblages map these cognitive chains.

01. The Movement Chain

Axis Path-Goal Journey Connectedness Procession

Axis

An imaginary line that points. It organizes attention and implies a direction, often terminating at a significant object.

Path-Goal

The activation of axis through movement. We identify a destination (goal) and the trajectory required to reach it (path).

Journey

Movement over time. A sequence of spaces with a beginning, middle, and end, creating a spatial narrative.

Connectedness

Choice. How many other spaces can be accessed from the path? High connectedness creates integration and social potential.

Procession

Formalized movement. When the journey is structured for ritual or social significance, establishing a hierarchy of events.

procession and spatial memory
Procession, anticipation, and reflection.

02. The Center Chain

Centrality Containment Interiority Convexity Threshold

Centrality

A point that gathers space around it. The location of importance and control (the "Self").

Containment

The creation of an "Inside" vs. "Outside". We project our own bodily experience of being a container onto rooms.

Interiority

The depth of containment. Bounded areas within other bounded areas (nesting) increase the sense of protection and separation.

Convexity

A geometry where everyone sees everyone. A space with no hidden corners, promoting social stability and gathering.

Threshold

The condition of "Between". A physical volume that negotiates the transition from outside to inside.

thresholds - deep, shallow, and implied
Threshold conditions in the built environment.

03. The Identity Chain

Front Identity Personification Presence

Front

The primary plane. Just as humans have faces, we assign a "front" to objects to determine how to interact with them.

Identity

Recognition. The abstraction of an object to its essential nature ("What is this thing?").

Personification

Projection. We attribute human agency, emotion, or posture to inanimate structures ("This building looks aggressive").

Presence

Influence. When an object is interpreted as actively projecting its values outward into the space, affecting those around it.

presence in the built environment
Presence

04. The Privacy Chain

Containment Communality Exposure Privacy

Containment

The prerequisite for social existence. Defining a shared "here" separate from "there".

Communality

Shared experience. Spatial configurations that support group cohesion and interaction.

Exposure

Visibility. To be part of a community is to be seen. High exposure encourages discovery but reduces security.

Privacy

Control. The ability to limit access. Privacy is not just isolation; it is the power to choose who enters your territory.

Privacy with levels of access
Privacy based on movement and access

V. Core Axioms

"Architecture is not about objects; it is about the human capacity to inhabit space. We design the possibility for events, not just the container." — On Definition
"We do not see the world as it is; we see it as we are. Our biological orientation dictates our architectural understanding before culture ever gets involved." — On Embodiment
"Descriptions like 'happy' or 'aggressive' do not exist in the building. They are interpretations without factual existence, yet they are the shared agreements that make architecture possible." — On Meaning
"Space is not empty. It is a medium of relationship. We do not move through space; we move with space." — On Space
"People do not believe in things that are factual; they believe in things they want to believe in. Speculation captures the imagination to validate a design." — On Speculation
"Hierarchy is not just a size comparison. It is a system of attention. It organizes importance, power, and authority by controlling where we look." — On Hierarchy